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Riek Milikowski - de Raat
Riek Milikowski-de Raat was born in 1918 into a Christian, working-class family in the Jewish quarter, of Amsterdam. She was raised here before moving to Leiden (1953) and Zaandam (1971), returning to live and work again in Amsterdam (1995) until today.
As the eldest daughter she had considerable responsibilities, duties that meant looking after the family and its income, only finding education intermittently. From 1936 she managed to attend classes at the Institute for Applied Art Teaching, later at the New Arts School, and at the studio of Jan Havermans. This schooling, particularly from 1933 under Paul Citroen, was strongly anti-fascist and influenced by Bauhaus principles, later to be banned under the German occupation. During the war years she was an active member of the resistance movement and scarecely able to continue her artwork.
Only from 1953 did she manage to continue her development at Leiden (a.o. she was a member of 'Ars Aemula Naturae'), also attending classes in the Hague at the Free Academy and the Academy for Painterly Arts, under Paul Ciroen and Han van Dam.
Her work displays strong symbolic elements and inclines toward acute social and socialist beliefs. Inspired by direct experience she also encompasses nature to a high degree. Her oeuvre may be divided into three categories: still-lives, portraits and landscapes, which she does in a profound and realistic manner, not foregoing any of her socialist principles (for example, as seen in: the pencil drawings of children in her 'Winter of Starvation'; the emphatic portraits done in 'Siberian Chalk' of labourers and children from the slums of Leiden; the oils: "Fruits of the Land', "Feast of the Bread','1st. of May Tulips','February-strike anniversary', 'The White Rose', etc.).
'...In some of her works she achieves such a height it prints itself on our visual-memory. Riek de Raat makes art that grants us access to emotions from that intimate world of our loved-ones, from our human environment and nature itself...'
(Emile Meijer, Founder and 1st. Director of the van Gogh Museum, Amsterdam)
As the eldest daughter she had considerable responsibilities, duties that meant looking after the family and its income, only finding education intermittently. From 1936 she managed to attend classes at the Institute for Applied Art Teaching, later at the New Arts School, and at the studio of Jan Havermans. This schooling, particularly from 1933 under Paul Citroen, was strongly anti-fascist and influenced by Bauhaus principles, later to be banned under the German occupation. During the war years she was an active member of the resistance movement and scarecely able to continue her artwork.
Only from 1953 did she manage to continue her development at Leiden (a.o. she was a member of 'Ars Aemula Naturae'), also attending classes in the Hague at the Free Academy and the Academy for Painterly Arts, under Paul Ciroen and Han van Dam.
Her work displays strong symbolic elements and inclines toward acute social and socialist beliefs. Inspired by direct experience she also encompasses nature to a high degree. Her oeuvre may be divided into three categories: still-lives, portraits and landscapes, which she does in a profound and realistic manner, not foregoing any of her socialist principles (for example, as seen in: the pencil drawings of children in her 'Winter of Starvation'; the emphatic portraits done in 'Siberian Chalk' of labourers and children from the slums of Leiden; the oils: "Fruits of the Land', "Feast of the Bread','1st. of May Tulips','February-strike anniversary', 'The White Rose', etc.).
'...In some of her works she achieves such a height it prints itself on our visual-memory. Riek de Raat makes art that grants us access to emotions from that intimate world of our loved-ones, from our human environment and nature itself...'
(Emile Meijer, Founder and 1st. Director of the van Gogh Museum, Amsterdam)
Products
Artworks
19312
50x50cm
Carry
17696
50x50cm
Een geboren Mokumer anno 1936
17625
50x40cm
Van de rozenstruik
16356
50x50cm
Tijdsein
14533
50x50cm
Zelfportret
13005
60x60cm
A&O
13004
50x60cm
Als moeder Aarde
11804
50x50cm
Oma Corrie woont en werkt in Amsterdam NL
10777
40x40cm
4th of May - Remembrance Day
10776
30x40cm
Chinese rose, the focal-point of interest during the year 2008
9131
50x50cm
Het oude mandje
8467
50x50cm
Elly
8466
40x40cm
Flowers for
5474
50x50cm
Sunflowers
5472
50x50cm
1st of May tulips
5471
50x50cm
Spent petals from roses
5317
50x50cm
Flip
5316
50x50cm
The white rose
3953
60x50cm
Maria Spaans
3952
50x50cm
De Vrijheid gaat in 't rood gekleed
3951
40x40cm
De rode draad