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Peter Wever is a German artist, living in Berlin. Wever is known for his colour etchings dealing mainly with relationships. His work has warmth, and often a touch of humour. Embracing couples are a common theme, but sketches of a computer fanatic or two people at a cluttered breakfast table or almost submerged in a bath-tub are also among subjects he has portrayed.
“The aspects of the artistic life that are modern, lofty, engaged, contemporary, timeless or relentlessly repetitive do not thrill me. My fascination, when it comes to art, is the drama to be found in everyday things. An unspectacular life perceived through my own eyes and recorded in my own handwriting. This is what I try to capture in my work.
To achieve this takes time. I long to express a great amount with the most limited means possible. Naturally, the end result has to be interesting. I oscillate between “less is more” and “less is bore”. In this way, I can generate the tension of opposites. This can be seen literally, as in the tension between two people and the human interaction, which is born, figuratively, between them.
My characters often appear to be almost identical. As if they are simultaneous expressions of one and the same person. The simplification of form leads to an analogous bearing. By turning and mirroring the images diagonals start to appear that suggest movement. The action between the figures that comes into being through the diagonals is invisible, caught in a centre of gravity that sinks out of the picture.
I etch mechanically, without chemicals. Everything is scratched directly into the copper surface, with a dry needle, and roughened with the mezzotint “berceau”*. In this way I can draw directly onto the plate, erase things if necessary, add printing ink, wipe clean, and ultimately the image takes its form on the plate. The colours are achieved step by step with consecutive rounds of printing.”
Hesitantly and doubtfully, the artist waits for that moment when the image comes to life. When this happens, the artist has had a good day.
Peter Wever”™s coloured etchings are unique.
The basis is the coloured etching to which accents are added using acryl paints.
Peter Wever
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“The aspects of the artistic life that are modern, lofty, engaged, contemporary, timeless or relentlessly repetitive do not thrill me. My fascination, when it comes to art, is the drama to be found in everyday things. An unspectacular life perceived through my own eyes and recorded in my own handwriting. This is what I try to capture in my work.
To achieve this takes time. I long to express a great amount with the most limited means possible. Naturally, the end result has to be interesting. I oscillate between “less is more” and “less is bore”. In this way, I can generate the tension of opposites. This can be seen literally, as in the tension between two people and the human interaction, which is born, figuratively, between them.
My characters often appear to be almost identical. As if they are simultaneous expressions of one and the same person. The simplification of form leads to an analogous bearing. By turning and mirroring the images diagonals start to appear that suggest movement. The action between the figures that comes into being through the diagonals is invisible, caught in a centre of gravity that sinks out of the picture.
I etch mechanically, without chemicals. Everything is scratched directly into the copper surface, with a dry needle, and roughened with the mezzotint “berceau”*. In this way I can draw directly onto the plate, erase things if necessary, add printing ink, wipe clean, and ultimately the image takes its form on the plate. The colours are achieved step by step with consecutive rounds of printing.”
Hesitantly and doubtfully, the artist waits for that moment when the image comes to life. When this happens, the artist has had a good day.
Peter Wever”™s coloured etchings are unique.
The basis is the coloured etching to which accents are added using acryl paints.
Products
Artworks
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15049
32.5x60cm
Tischgespräch
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15048
30x60cm
Tulips Diptych
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15045
30x60cm
Head in the clouds
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14460
38x97cm
Kissenland rot
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14459
31x90cm
Abgestürzt XXL
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14458
31x90cm
Computergrafik XXL
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14357
88x125cm
Hark now hear the angels sing
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14356
50x76cm
Santa likes it Hot
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14355
50x76cm
Santa's sack race
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13192
30x40.7cm
Part and parcel of the job
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13191
30x40.7cm
Post-Haste
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13190
30x40.7cm
Christmas on cloud nine
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11690
20x30cm
Online Xmas
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11427
16x24cm
2 roses
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11426
16x24cm
2 Rozen weiss
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11425
40x14cm
Amarylh's
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11424
40x70cm
Schaukel im Wolken grün
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11423
40x70cm
Schaukel im Wolken rot
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11422
25x35cm
Umarmung Weisser Winkel grün
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11421
25x35cm
Umarmung Weisser Winkel rot
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11420
34x90cm
Hängematte im Laub
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10738
70x100cm
Xmas Boat
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10737
70x100cm
Rudolph's Xmas
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10681
79x14cm
Delphinium ../100
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10680
14x79cm
West beach ../120
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10679
14x79cm
Winterbeach ../100
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10678
20x40cm
Little swing red
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10677
20x40cm
Little hammock and umbrella
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10676
42x42cm
Embrace yellow-green
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10675
42x42cm
Embrace Red